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Egypt suffered a day of terrible violence Wednesday, and the bloodshed was compounded by several developments that suggest more confrontations are ahead.

Egypt's security forces reasserted their authority on a number of fronts and gave every appearance that they would press ahead with a crackdown against the Muslim Brotherhood and other opposition groups.

Here are several examples:

State of Emergency: The interim government declared a state of emergency for a month, which includes a 7 p.m. curfew. Egyptians have a long and painful history with emergency laws and are sure to be skeptical about the timetable. The former president, Hosni Mubarak, maintained virtual martial law for three decades until he was ousted in 2011.

Mohammed Morsi, the elected president who was removed by the military on July 3, declared a month-long state of emergency back in January, giving the security forces broad powers to arrest and detain people.

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Nobody, apparently. And maybe that's the thing: Bianco says she'd never done her "Total Eclipse" riff in public before, so everybody's getting their first look.

Plenty of New Yorkers (and tourists) have seen her diva mimicry, though, not least in the Times Square institution Forbidden Broadway, where she earned a Drama Desk nomination and honed her deadly accurate impressions of Kristin Chenoweth and Bernadette Peters. ("Never met either of them, but hope they understand that imitation is the sincerest form of flattery.")

And she takes her solo show Diva Moments on the road from time to time; next up are dates in London, Sept. 6 and 7 at the Hippodrome.

The occasion for this "Total Eclipse" bit's debut was 54 Below's weekly Backstage night, a kind of open-mic hootenanny for theater types and madly ambitious fans. And yes, it was unrehearsed.

"I have a rough outline," Bianco says; she'd given host Suzie Mosher a list of diva names to shout out, and she knew she wanted to end with Celine Dion, "but the rest of it was sort of loosey-goosey."

But then Bianco seems like the game sort in general. Her NPR-adjacent experience involved Jeff Lunden, who'd written a song about Billy Crystal, who was the honoree at a gala at NYU's Tisch School of the Arts. Bianco, one of the two singers hired to perform, "had to sing it as if I were an old woman who grew up with Billy Crystal in Lawnguyland. So I think Jeff knew I wasn't afraid of funny voices."

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When you hear the word "kebab" in America, you might think of skewers with chunks of chicken or beef and vegetables, marinated and grilled on coals or gas. But say "kebab" in the Middle East, and it means a lot of things — chunks of lamb or liver on skewers, or the more popular version of grilled ground meat logs found in Turkey, Iran and much of the Arab world.

If you spend enough time in the Middle East, you learn it can be hard to pinpoint the origins of things. Everybody claims to have invented hummus, flatbread and even yogurt. And don't even try to figure out who invented the kebab.

I talked to a historian of Arab medieval food on my last trip to Iraq. He told me the word is Arabic in origin and comes from the word keba, which means "to turn."

My guide to the Iraqi version of the kebab is Sami al Hilali, a longtime colleague, friend and really good cook.

Hilali says he uses a combination of lamb, beef, lamb fat, onions, parsley and spices, all ground up with his hands. He then molds the mixture onto skewers. The skewers are not the kind of skewers many Americans use — they're flat, wide and look sort of like a blunt sword.

When Hilali is ready to cook, he puts together about 18 skewers and heads outside. He uses a grill that's more like a 3-foot long trough with hardwood charcoal. He's oriented a fan to blow air over the coals and heat them up faster. The sparks are bright orange and look like fireworks.

Isra al Rubei'i, who is helping with the food, says the fan is a matter of practicality.

"Sometimes it's without a blower; using a manual fan would ... give it a more delicious flavor," she says. "But this is just to save time, you know, when you have many skewers to grill."

When the kebabs are cooked, Hilali prepares a plate with bread that will be their final resting place. Rubei'i says the bread is essential.

"The best part is the flatbread that is soaked in the fat coming out of a charred kebab skewer. You know they fight over this one," she says, laughing.

The Iraqi medieval food historian who shared the origin of the word kebab also told me another story about them: They appear in a book from the southern Iraqi city of Basra called The Book of Misers. It was written in the 9th century.

The miser in this story is a courtly man who invites people to his garden. He tells the guests, "Here's the stream, and here's the fire. Catch your fish and make your kebab."

It's the first known mention of the word. My friends nod, knowingly, as if to say, "You see? It all comes from Iraq." Then we get on with our eating.

I've had kebab all around the region — Arab kebab, Turkish kebab and Persian kebab. They're all different, and they're all pretty good. In the end, it doesn't really matter who invented kebab. What matters is that fire has touched meat, that the meat is good, and the company is even better.

This post is part of Global Grill, a summer series from All Things Considered that pulls apart the smoky flavors of grilled foods from around the world.

After several days of brutal criticism and commentary about the brutal way he fired a man during a conference call, AOL CEO Tim Armstrong is now apologizing.

"I am writing you to acknowledge the mistake I made last Friday during the Patch all-hands meeting when I publicly fired Abel Lenz," Armstrong says in an email to AOL employees, which Mashable has posted here.

Armstrong adds that:

"We talk a lot about accountability and I am accountable for the way I handled the situation, and at a human level it was unfair to Abel. I've communicated to him directly and apologized for the way the matter was handled at the meeting. ...

"On Friday I acted too quickly and I learned a tremendous lesson and I wanted you to hear that directly from me."

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