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Twitter is growing and its brand is spreading but Wall Street is unimpressed. On Tuesday, the company announced it had doubled its quarterly revenue from a year ago to $250 million. The social networking site also increased its number of active users to 255 million, up 25 percent from a year earlier.

But despite the gains, Wall Street analysts have called the growth tepid. Twitter went public last November, and its shares have traded as high as $74; on Wednesday, it opened at under $38.

Nat West, owner of Reverend Nat's Hard Cider in Portland, Ore., is spicing up his cider made from eating apples with ginger juice, herbal tonics, coffee and hops. He has even aged cider in a tank with crushed rock slabs to impart notes of "minerality."

Schilling Cider, in Seattle, uses mostly Red Delicious, Granny Smith and Honeycrisp apples — varieties that "don't have any flavor," in owner Colin Schilling's opinion. That's why he steeps bags of chai spices in one of his ciders, ages others with oak chips and adds Ecuadorian cocoa nibs to another to create a thick and brownie-like beverage only faintly reminiscent of apples. Schilling once even fermented some apple juice over Japanese horseradish for what was intended to be a "wasabi cider."

"That was awful," he says. "We dumped it out."

Unsurprisingly, there are critics of such experimental cider-making.

Steve Wood, co-owner of Farnum Hill Cider, grows about 70 acres of apples on his New Hampshire farm. For him, making cider is less like craft brewing than it is like making wine — a process of tending to the trees, growing the fruit, harvesting the apples at optimal ripeness, blending the juices and fermenting it in oak barrels and steel tanks. Wood uses apple varieties like Kingston Black, Yarlington Mill and Bramtot — varieties too bitter or sour to eat but long used in Europe for cider-making.

"The goal is to bring our fruit to the bottle in the most delicious way possible," Wood says. "It's a very hands-off, white wine-making approach."

Adding anything but apple juice to the cider would go against Wood's most basic principles: "I would never, in my wildest imagination, put jalapenos in my cider. That would be like if a Bordeaux winemaker threw a bunch of hot peppers into his wine."

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This year marks the 50th anniversary of Fiddler on the Roof's Broadway premiere. Lyricist Sheldon Harnick co-wrote the songs for Fiddler, as well as Fiorello!, She Loves Me and Tenderloin. Just in time for his 90th birthday, Harnick has released a new album, Sheldon Harnick: Hidden Treasures (1949-2013), a collection which includes Harnick singing demos of his own popular songs, rarities from early in his career, and pieces cut from Broadway shows. Many of the recordings are from his private collection.

"Any successful lyricist has to be part playwright and has to be able to put himself into the minds and the hearts and the souls of the characters he's writing about," he tells Fresh Air's Terry Gross. "That's part of a theater lyricist's talent."

Manuel Antonio Tejarino used to be a lean, fit field hand. During the sugar cane harvest, he'd swing a machete for hours, hacking at the thick, towering stalks.

Now Tejarino is slumped in a faded, cloth deck chair outside his sister's house on the outskirts of Chichigalpa, Nicaragua.

Tejarino's kidneys are failing. He's grown gaunt. His arms droop by his side. In the tropical midday heat, he alternates between wiping sweat off his brow and pulling a sweatshirt up over his bare chest.

"I feel like I'm burning," says Tejarino, 49. "My blood pressure goes down. I get dizzy. Someone has to help me walk. If I'm alone I'll fall down."

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