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On the power dynamic between a photographer and his or her subject

Just as there is a power structure between the novelist and the subject the novelist is writing about — it's the novelist who decides who gets the power of speech. So, whoever puts their finger on the button that ultimately decides what happens with the camera is the one who has the power. And anyone sitting outside of that power zone is turned into a subject. So, I could see parallel between the novelist's writing, and therefore, deciding, ultimately, the destiny of his or her characters — in the same way that the photographer decides what position to take, what light to use.

On whether he could live in Somalia

Mogadishu has stopped being a cosmopolitan city; it was a cosmopolitan city many years ago — one of the most celebrated cosmopolitan cities. I can imagine living in Somalia, but Somalia has to change. I have changed and therefore Somalia must change. And that would be the case if: one, there was peace. Two, if I could live anonymously — which is not possible all the time, but it could be. And then, [three], if there are book shops and cultural stuff that one can do and get involved in. There is no such thing now. Civil war dominates everything in one's everyday life in Somalia, which is quite tragic.

Read an excerpt of Hiding in Plain Sight

More on Nuruddin Farah

War and Literature

Somalia's Farah: Humanizing a Broken Place

Author Interviews

A Family Searches For Peace In War-Torn Somalia

Parrello asked about the day that her son died.

"We took fire that day. We heard a large explosion, and we could feel it," Powell says. "I see that Brian's laying there with his shirt cut open. His rifle had been blown in half from the IED that he hit.

"I grabbed his hand. He looked at me, and he wasn't yelling and he wasn't upset. I can still picture him, and I picture him all the time," Powell says, his voice thick with emotion. "I spend a lot of time laying in bed, not being able to go to sleep, just thinking, 'What could I have done differently. What could I have done better?'

"I still have those thoughts."

"I wanted to make sure that none of you guys felt as if we blamed anybody for what happened, and that I know you guys did the best you could," Parrello says. "I'm just happy he was with his other family — even though we couldn't be there with him, he was with people that love him."

After Brian Parrello's death, his parents met his fellow Marines — the 4th Platoon, Small Craft Company, Headquarters Battalion, 2nd Marine Division. Later this year, the entire platoon will join the Parrello family in West Milford to mark 10 years since Brian's death.

"I couldn't wait to meet you and give you a hug," says Powell, remembering the day they first met. "I remember running through my head what I'd say to you. I walked up to you, I gave you a hug, and I didn't say anything — because I couldn't. And I'm sorry for that."

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Shirley Parrello's son, Brian, died in Iraq almost ten years ago. Sgt. Kevin Powell was with him that day, and he says he can still picture Brian Parello in the moments after the IED exploded. Storycorps hide caption

itoggle caption Storycorps

Shirley Parrello's son, Brian, died in Iraq almost ten years ago. Sgt. Kevin Powell was with him that day, and he says he can still picture Brian Parello in the moments after the IED exploded.

Storycorps

"The hug was enough," Parrello says, telling Powell there's no need for an apology. "As a little boy when [Brian] would go to bed at night I would tuck him in and give him a kiss and a hug and then I'd walk out of the room and he'd say, 'One more hug, Mom.' This would go on — I mean, it was like 10 times. I'd have to go back and forth. And at the time you're thinking, 'Come on, Brian. Please? You know, it's late.' Now I would give anything to have one more hug."

"The day that you lost Brian you gained 20-something other sons, and we'll always be your sons," Powell tells her. "It never ceases to amaze me ... how strong you are. The things that we talk about, that I can hardly talk about, and he was your son. I want to tell you that I know you're hurting, and I'll always be there for you, for as long as I'm alive."

Audio produced for Weekend Edition by Andres Caballero.

StoryCorps is a national nonprofit that gives people the chance to interview friends and loved ones about their lives. These conversations are archived at the American Folklife Center at the Library of Congress, allowing participants to leave a legacy for future generations. Learn more, including how to interview someone in your life, at StoryCorps.org.

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It's the weekend, which means it's time to look back on the week in technology that was. As your handy NPR One listening app says, here we go...

ICYMI

Please Do Not Leave Voice Mail: As part of our ongoing #newboom series, Rachel Rood reports on how annoying voice mail is to millennials. If it's important enough, just text me, younger generations say.

Online Gaming And Women: The Pew Research Center released its first ever study on online harassment and found that there's one online space where people don't perceive women and men are treated equally — gaming. In light of the ongoing, sprawling #Gamergate crisis, it probably surprises no one.

The Big Conversation

Apple Pay Debuts: With Apple's new mobile payment system, a major shift away from credit cards and wallets could be happening. But as Aarti Shahani noted on Morning Edition, other vendors have tried this before and failed.

iCloud And The Chinese?: A group claims the Chinese government supported an attack against users of Apple's iCloud service, and experts fear it may be a harbinger of more attacks to come.

Curiosities

BuzzFeed: Facebook Rebukes DEA For Impersonating Woman Online

The company isn't happy the Drug Enforcement Administration created a phony Facebook page using a real woman's name, without her knowledge.

Wired: New Tablet Case Recognizes Sign Language and Translates It Into Text

A California startup is developing a case for tablets that can serve as a virtual interpreter for deaf people.

NPR: Mark Zuckerberg Shows Off His Mandarin Chinese Skills

During a visit to a Beijing university, the Facebook co-founder and CEO conducted a full Q&A in Mandarin Chinese. It's tonally cringe worthy, but he got a lot of props for his commitment.

tech week

Christy Redd remembers seeing a video by PETA, the People for the Ethical Treatment of Animals, and frankly being pretty grossed out. It showed an alligator being skinned alive, presumably for a tannery, and Redd watched the beast twist and writhe in agony. "I was so upset," she says.

At 35 years old, Redd is the co-owner of America's largest alligator leather tannery. Based in the small Atlanta suburb of Griffin, Ga., American Tanning & Leather treats and sells the canvas that produces some of the finest luxury handbags, shoes and other products featured in high-end stores across the globe. You can find them in Prada, Ralph Lauren and Louis Vuitton, priced as high as $50,000.

According to Redd, a typical bag requires the skins of about three gators, and in a year, her firm will use the skins of some 25,000 alligators, a point of some serious contention among animal rights groups. Yet the "Alligator Queen," as some know her, makes the case that the alligator leather industry is actually one of the reasons the gator population is thriving, incentivizing landowners' protection of the animal's habitat — and environmental experts agree.

Animal rights groups don't. Most farms treat alligators cruelly, says Danielle Katz, a campaign manager at PETA. She paints a harrowing picture of animals being kept in crowded cages brimming with feces and urine, then being killed by a bludgeon or chisel to the head — and sometimes being skinned while still alive for up to 45 minutes.

With so many vegan options, there is no reason to buy and wear the skin of an animal, Katz says. "Alligators should not have to suffer for our vanity."

But Redd says that people who hear about the skinning of gators and have an emotional response, like the one she had watching the PETA video, "don't have the same response at the supermarket in the chicken nugget section."

Redd also says that the conditions Katz describes would ruin her business, saying that if alligators aren't given abundant space and a quick death, the quality of their skin suffers.

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Chris Plott, Christy's father, holds up alligator skins in the 1960s. Courtesy of Christy Redd/Ozy.com hide caption

itoggle caption Courtesy of Christy Redd/Ozy.com

Chris Plott, Christy's father, holds up alligator skins in the 1960s.

Courtesy of Christy Redd/Ozy.com

The family firm is no stranger to controversy, though. Redd's great-grandfather started buying and selling fur in 1923. Her grandfather and father continued the business: buying otters, minks, foxes and the like from trappers, flipping the animals inside out and then stretching the skins out to dry.

When Redd's father, Chris, bought 12,000 gator skins in the first auction after legalization of the trade in 1978, he didn't know what he was doing. "It was either the dumbest or luckiest decision I ever made," he told her.

For 10 years, the alligator leather business lost money, supported only by the thriving fur trade. When fur became taboo, Redd and company had to make gator leather profitable, and fast.

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One of the $35,000 luxury bags made with genuine American alligator leather produced by Christy Redd's company. James Hickey/Courtesy of Christy Redd hide caption

itoggle caption James Hickey/Courtesy of Christy Redd

One of the $35,000 luxury bags made with genuine American alligator leather produced by Christy Redd's company.

James Hickey/Courtesy of Christy Redd

The co-owner, who wears a custom-made-in-Istanbul python coat, started full-time with the tannery when she was 22, fresh out of the University of Georgia. She's talked her way into a profitable spot in a thriving luxury goods market, which has tripled in less than 20 years to $300 billion in 2013.

To match demand, American Tanning & Leather cut out the middle man in 2006 and started buying skins straight from alligator hunters in Louisiana. Since then, output has doubled from 10,000-plus to approximately 25,000 skins, though the company declines to release exact revenue figures.

The key to its growth strategy has been finding customers who want lesser-quality skins — which is the majority of those produced in the wild. Last year, AmTan and its Italian partner, Whiteline, opened a warehouse in Milan aimed at selling to small-scale craftsmen who buy and improve lesser-quality skins. Already they've sold 3,000 skins.

Redd says she isn't worried about animal rights groups slowing her business, and biologist Lance Campbell of the Louisiana Department of Wildlife and Fisheries hopes she is right. The alligator leather industry provides substantial incentive to private landowners, $150 to $200 per gator, to maintain the habitat. Out of an alligator population of approximately 2 million, an average of 35,000 are legally hunted, which has no effect on the overall population but provides millions of dollars to landowners, he says.

"I hope alligator leather doesn't go the same way as fur," says Redd, confident it won't. PETA and other animal rights groups, meanwhile, will keep the pressure on.

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