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We've been looking at how technology has totally changed what it means to watch television or a movie. One of the biggest changes has been in demand — people want a baseball game — on their smartphone, wherever they are, right now. They want to pull up a video and stream it — on their laptop or phone, immediately, with no wait.

So, where is all this going? If the younger generation is demanding this much from their screens today, what will things look like in a few decades? Jessica Helfand, author of Screen: Essays on Graphic Design, New Media and Visual Culture, tells NPR's David Greene that it's a worrying trend.

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Steve Inskeep talks with The New Republic's Amy Sullivan, who says liberals are misreading Indiana Senate candidate Richard Mourdock in criticizing his recent comments on abortion.

The style choices of first ladies have been politicized for decades, especially since Jacqueline Kennedy famously solicited the help of fashion editor Diana Vreeland. Host Michel Martin discusses the lasting legacy of the partnership between Kennedy and Vreeland with Amanda MacKenzie Stuart, author of Empress of Fashion: A Life Of Diana Vreeland.

Giving form to the urban woman's most common nightmare — the too-helpful concierge who looks at you as though he's just rifled through your underwear drawer — Sleep Tight is a nifty little thriller that dances on the boundary between plausible and preposterous.

An old-school creeper about the evil that lurks in plain sight (and sometimes under your bed), Jaume Balaguero's slowly escalating psychodrama swirls around Cesar (Luis Tosar), caretaker of a sunny Barcelona apartment building. Cesar's tenants seem a jovial bunch, especially Clara (Marta Etura), a glowing beauty who's never without a smile. Yet though we've just seen Cesar wake up in Clara's bed, use her toothbrush and quietly exit her apartment, he still looks miserable. As we learn from his voiceover, Cesar has never felt happiness, a condition he likens to being deaf or blind. "Only worse," he sighs, unburdening himself regularly to a prone crone in a hospital bed. He calls her Mother, but as we get to know him we're not so sure.

Cesar, you see, is a very sick man; and Tosar, with his balding dome and demented-spaniel eyes, gives him a slinking servility. He'll feed the dogs of a chatty elderly resident (Petra Martinez) and smile at the insolent preteen (Iris Almeida) who inexplicably spews milk on his desk. Underneath, however, he's nursing a dark purpose: If he cannot be happy, he'll make damn sure no one else is either. By day, he plays along with the charade; by night, he executes a campaign of shocking intimidation. And as we learn the truth of his connection to Clara — and his obscene plans for their future — we can only worry about his effect on the rental market.

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Cesar's (Luis Toscar) twisted obsession with ruining his tenants' lives is the stuff of urban legend.

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