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In India, some of the most entertaining reading on a Sunday afternoon is found in the classified ads. Page after page, the matrimonial section trumpets the finer qualities of India's sons and daughters.

Parents looking to marry off their children often place ads such as this one: "Wanted: Well-settled, educated groom for fair, beautiful Bengali girl, 22, 5'3"."

The matrimonial ads are a hallowed tradition in the quest to find a life partner — part of the institution of matchmaking that is as old as the country itself.

But in India, rising economic wherewithal and aspirations of a new generation of women are giving that ancient institution a modern twist.

Making Matches En Masse

In this new India, picture water gentling lapping at a launch in Mumbai, where some 45 young men and women clamor aboard yachts for a sunset sail. Organizers Simran and Siddharth Mangharam say they were deluged by takers eager for a spot on one of the four sailboats captained by former members of India's Olympic sailing team.

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It's difficult for an American president to govern through nuance especially when it's necessary to persuade a majority of the people that certain actions are essential for national security. And effective persuasion usually requires clarity.

That's how you arrive at President George W. Bush's stark formulation "You're either with us or you're with the terrorists," after Sept. 11 and much of that sprang from it.

But if President Obama's newly recalibrated counterterrorism strategy as outlined in his speech Thursday demonstrates anything, it is his penchant for nuance.

It's a tendency required by the times. After more than a decade of two large-scale wars, Americans long ago hit the kind of war weariness that made them open to the notion of downsizing what Obama's predecessor had described as a global war on terror that could last decades.

But there are still enemies who seek to wage an asymmetric fight against the U.S. Thus the need for the kind of complex U.S. approach — in short nuance — that can be hard to explain or easy to misstate in the Twitter era.

For an example of this nuance, just take Obama's new guidance for when the U.S. will target individuals for destruction by drone. In the past, a terrorist suspect could apparently be targeted for that fact alone.

But the administration's new guidance, according to a White House fact sheet, requires that a suspected terrorist only be targeted if he's a "continuing, imminent threat to U.S. persons. It is simply not the case that all terrorists pose a continuing, imminent threat to U.S. persons; if a terrorist does not pose such a threat, the United States will not use lethal force."

That's a distinction that's difficult to imagine the Obama administration's immediate predecessor making, with its more cut and dried approach.

But part of Obama's appeal to many Americans when he was first elected in 2008 was his promise of a smarter approach to counterterrorism than Bush's, one that would improve the U.S.' image abroad. That was a vow that appeared challenged, at least when it came to the Obama administration's controversial use of drones.

Obama greatly expanded the use of the remotely controlled unmanned vehicles, with their Hellfire missile payloads, far beyond anything that occurred under Bush. The result? Growing anger towards the U.S. in unstable places like Pakistan and Yemen and in other nations with Islamic majorities across the region.

While the use of the high-tech weapons has engendered outrage elsewhere in the world, Americans have mostly embraced the tactic.

Recent polls indicate a majority of Americans support drone attacks on terrorist suspects. Civil libertarians and human-rights activists like Code Pink protester Medea Benjamin who interrupted the president's speech Thursday may question the killing by drone of U.S. citizens abroad or of the innocent but that doesn't appear to be a majority concern.

It's this widespread support of U.S. drone warfare among the public that has given Obama the latitude he has enjoyed until now to increasingly conduct these attacks. The president didn't mention in his speech the popularity of the drones with Americans among the reasons for continuing their use. Americans' support of the use of drones certainly has made this part of his counterterrorism policy easier than it would be otherwise.

Ironically, the one part of his counterterrorism policy in which Obama showed the least nuance has arguably been the most vexing — his campaign promise to close Guantanamo, freeing those detainees deemed as not dangerous while transferring the rest to the U.S. mainland for trial.

It's not by choice, of course. He ran into fierce congressional resistance when he first tried to make good on his promise in 2009 shortly after entering the White House and all indications are that Republican lawmakers will do their best to thwart him again. And with most Americans agreeing with them that Guantanamo should remain open, their chances of winning are probably better than Obama's.

That doesn't really work to the film's detriment, though: Even a skin-deep biography of Plimpton is more fascinating than a deep dive about most people. Indeed, just hearing Plimpton lecture or read from his own work — which happens throughout the film, hence the subtitle — is engaging enough for a documentary of its own.

The directors spend much of the film's first half running chronologically through Plimpton's impressive CV: founding editor of the Paris Review; author of popular books and articles on his misadventures in the sporting life; friend to the Kennedys and one of the men who tackled shooter Sirhan Sirhan at the scene of RFK's assassination; star of an eponymous series of TV specials; advertising spokesman for everything from video game consoles to microwave popcorn.

It's these latter ventures that cause some consternation among Plimpton's colleagues and contemporaries. Despite the loving tone of the film as a whole, the directors do address the question of how much damage the prime-time specials and the corporate shilling may have done to his reputation. In an interview, novelist James Salter goes even further, confessing that though he may have been unfair to label Plimpton a dilettante in his younger days, "he was writing in a genre that really doesn't permit greatness."

If Plimpton's chosen genre didn't permit greatness, Bean and Poling make the case that the totality of his unique career and legacy certainly did. Whether it's the importance of the Paris Review in tapping talented new writers, the explorations into the creative mind that he navigated in his interview series for the magazine, or his role as one of the early pioneers of participatory journalism, the film portrays Plimpton as someone devoted to illuminating how talent and creativity work — both for himself, and for the rest of us.

1. Newton's Laws Of Motion

2. The Reluctance Of Brilliant Criminal Masterminds To Freely Confess

3. The Inability Of Two Things To Coexist In The Same Physical Space

4. The Integrity Of Vending Machines

5. Gravity

6. Gina Carano's Ability To Snap Most Of These People Like Twigs Pretty Quickly, If We're Being Honest

7. The Hardness Of Cars, Which Are Actually Kind Of Uncomfortable To Land On From Great Heights

8. The Assumption That Even Innocent Bystanders Who Do Not Have Speaking Parts Have To Not Die In Order For The Good Guys To Be Considered Entirely Successful

9. The Conservation Of Mass

10. The Concern That Former Models Are Often Not That Funny In Movies

11. The Tendency Of People To Be A Little Down After Witnessing Devastating Car Crashes

12. The Fact That In Most Circumstances, A Truck Is Unlikely To Contain A Tank

13. How Much It Hurts To Be On Fire, To The Point Where Strutting May Become Difficult

14. Amnesia ... Something Something Something

15. The Loss Of Velocity Of An Enormous Object Traveling At High Speed That Collides with Another Enormous Object

16. The Difficulty Of Completing A Fistfight While You're In One Moving Car And The Other Guy Is In Another Moving Car

17. The Likelihood That Even Conventionally Trained, Rule-Following Law Enforcement Officers Occasionally Learn Something Of Value They Can Successfully Use Against Criminals

18. That Guy Reminds Me Of Somebody, But I Really Don't Think It Can Be "Luke Evans," Because I Don't Know Who That Is ... Wait, Who's The One Who's Not Tom Hardy?

19. Relativity

20. Indemnification

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