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For borrowers in default, the repo man is no longer the one to fear; it's Big Brother. Growing numbers of lenders are getting tech savvy, remotely disabling debtors' cars and tracking customer data to ensure timely payment of subprime auto loans. The practice has created problems for consumers, and raises privacy concerns.

Lenders use the starter interrupt device, which has been installed in about 2 million vehicles, according to The New York Times, to deactivate car ignitions remotely if borrowers are late on payments. Lenders can also track cars' movements using the GPS on the device, and the device emits beeps when a payment due date is approaching.

"The use of the devices has increased, and it worked its way up the credit chain a bit," says Tom Hudson, a partner at Hudson Cook LLP and founder and editor-in-chief of CARLAW, a monthly review of developments in automobile finance. "Suddenly these things seem to have grabbed the attention of the media, but they have been around for many years."

Hudson says he first heard of the devices in 1997, when they were largely used by "buy here, pay here" dealerships. Now, more subprime lending companies have taken to using them too.

Many borrowers with bad credit are required to have the starter interrupt device installed on their car before driving it off the lot. The device has helped feed into the growing subprime auto loan market, as it allows lenders to extend subprime loans with greater confidence.

Newly originated subprime auto loans, through June, were at an eight-year high $70.7 billion, according to Equifax. The Times reported that Lender Systems, a California company that makes a variety of starter interrupt devices, has seen its revenue more than double this year.

"You can see two sides of it. On one hand, look, if you're the kind of person who really needs a drastic prod to pay your bills, then it's probably as good as anything else. The thing is, it can be one of those things where it could be construed as somewhat undignified," says Bill Visnic, senior editor at Edmunds.com. "We all know how it goes with fine print, but the fact is that you've entered a legal arrangement with the dealer."

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The devices have put consumers in situations ranging from inconvenient to life-threatening. One woman claims that her lender had remotely shut down her car while she was driving down a three-lane highway in Las Vegas, according to Times report. Others in the report claimed that their cars were shut off when they needed to travel for medical attention, or that they had only been a few days behind on payments when lenders disabled their cars.

"The key public policy issue is procedural fairness from the consumer perspective," says Marc Rotenberg, president of Electronic Privacy Information Center. "This is a consumer fairness issue about whether people are being properly notified."

The practice also raises privacy concerns. The Times reported that a subprime lender used a device to track down and repossess a woman's car when she left her abusive husband to seek residence in a shelter. The woman feared that her husband would find out her location from the tow truck company.

"When [GPS tracking] is being done on the actual owner without their knowledge, we would object to that," Rotenberg says. "People should know the circumstances under which they are being tracked."

Hudson, the CARLAW editor, says he had initially expected to see several lawsuits surrounding the devices, but says he has seen fewer than 10 cases since he first learned of the devices in the late 1990s.

Most states allow starter interrupt devices, so long as consumers are informed of the installation. But restrictions have been placed in some states, Wisconsin being the strictest among them. A statement released by the Department of Financial Institutions in Wisconsin notes that the devices leave consumers responsible for vehicles but without control over the vehicle, possibly leading to parking tickets or blockages of driveways or garages. The statement also takes issue with the fact that vehicles may be disabled prior to the time the creditor is entitled to physically take possession of the vehicle.

Yet Hudson argues that these devices offer an alternative that is less painful for subprime borrowers.

"This is a much more consumer friendly approach to encouraging payment—there is no repossession," says Hudson. Instead of having to go down to the repo yard to pay a repossession fee, consumers can have their car turned back on just by paying what is due, he says.

Other auto repossession technologies have raised data security concerns. In March, The Boston Globe reported that Texas-based company Digital Recognition Network installs automated readers in "spotter cars" around the country that capture images of every license plate they pass. Each picture is sent, along with the time and GPS location at which it was taken, to a database that already contains more than 1.8 billion scans.

Law enforcement has used this technique for decades, but not without its own problems. Boston police suspended their license plate scanning efforts in December 2013 in the wake of news that data on more than 69,000 license plates had been accidentally released.

Subprime borrowers have also been subjected to tracking when purchasing other products on loan, such as personal computers. In 2012, the Federal Trade Commission charged that several rent-to-own companies had spied on consumers by remotely taking screenshots, tracking computer keystrokes, and taking webcam pictures, all without consent. The software, licensed by DesignerWare, also enabled the stores to disable the computer if the renter was late on payment.

Apartments might be another area where technology will begin to play a role when consumers are behind on payments, according to Rotenberg. Electronic lock systems are beginning to be used, and renters could be remotely or automatically locked out of their apartment if they are behind on rent.

"That's where I think it's going to get really interesting," Rotenberg says.

For now, starter interrupt devices remains legal in most states. But as the practice grows, the ways by which it is implemented will likely continue to have a significant impact on consumers.

"It's not a small decision to say that when someone puts the key in to turn on the car, that it's not going to turn out the way they expected," Rotenberg says.

Robert Szypko is an intern on NPR's business desk.

starter interrupt

HBO has built a robust and popular online presence over the past couple of years with its app, HBO GO. But to get it — as is the case with many streaming services that offer television over the Internet — you've needed a cable subscription. In other words, HBO GO was an add-on for people who already had HBO, not an alternative way of getting shows for people who didn't. (Although it should be noted: Wide sharing of HBO GO logins with friends and family who don't have HBO has been an open secret that the network hasn't appeared to care about, particularly.)

But today, HBO Chairman and CEO Richard Plepler announced the news that fans of the network's programming but not of cable packages have been waiting to hear: Beginning in 2015, HBO will offer a streaming service to cord-cutters and other nonsubscribers on an a la carte basis. It should be noted that the announcement HBO released to the media does not explicitly say the service will be HBO GO (or that it won't), only that it will be "a stand-alone, over-the-top, HBO service." And, of course, it doesn't say how much the service will cost. It doesn't even say it will carry every HBO show, let alone what archival material will be available — HBO GO has a lot. Those who are currently jumping up and down and declaring their independence from their cable provider may or may not be as happy when more details emerge.

The move, though, would seem to be a big one, given that requiring a cable subscription is standard on many services besides HBO that provide streaming access to cable programming (without requiring episode-by-episode purchase through services like iTunes or Amazon). The announcement says HBO will "work with our current partners" and "explore models with new partners," but it seems inevitable that an arrangement like this will unsettle cable providers who have been able to use legitimate access to premium networks like HBO as one of the remaining barriers against cord-cutting, the practice of declining to have a cable subscription in favor of watching online. (Others remain, including live sports broadcasts on cable.)

Many observers have expected an eventual full or partial decoupling of premium programming — and perhaps all programming — from the cable television subscription model beyond what has already happened (remember, Emmy nominations are now going to shows like Netflix's Orange Is the New Black and House of Cards, which are television shows that never aired on either broadcast or cable television). How large a step in that direction the HBO service will represent remains to be seen, but some version of a service people have been demanding for a very long time is in the near, and increasingly complex, future.

On Tuesday in London, the judging panel for Britain's 2014 Man Booker Prize for literature announced this year's winner: The Narrow Road to the Deep North by Australian Richard Flanagan.

The novel, Flanagan's sixth, tells the story of POWs in World War II who were forced by their captors to work on the Thailand-Burma Railway, also known as the "Death Railway" for the more than 100,000 who died in the process of building it.

NPR's Lynn Neary reported that the book was inspired by Flanagan's father, who was a real-life POW made to work on the railway. She says Flanagan's father died on the same day his son told him the novel was complete.

Lynn adds:

"A.C. Grayling, who chaired the judge's committee, called it a 'magnificent novel of love and war.' It is, he said, 'the book that Richard Flanagan was born to write.' "

This was the first year the Man Booker Prize was open to American writers. NPR reported in September that two Americans were shortlisted for the award this year: Joshua Ferris for his work To Rise Again at a Decent Hour and Karen Joy Fowler for her novel We Are All Completely Beside Ourselves.

More from Lynn:

"The Man Booker Prize has always been open to writers in the U.K. and commonwealth countries. The decision to include writers from the U.S. was a controversial one, but Grayling said in the end, Americans did not 'overwhelm' the process."

NPR book critic Alan Cheuse reviewed The Narrow Road in August of this year:

"Flanagan's descriptions of the daily round of increased labor, diminishing food and nightmarish hygiene make for difficult reading. The set-pieces showing off Japanese cruelty seem almost beyond credulity, as when one Japanese officer describes in great detail how an older officer instructed him in the proper way to behead prisoners, or when we hear eyewitness testimony about the experimental live dissection of a prisoner of war, or the stark physical descriptions of prisoners in various states of sickness and dying. All this makes for a portrait of war in the Pacific that could have been rendered by Hieronymus Bosch. ...

"After setting down this eccentric masterwork of a novel, full of deep insight, afflicted love and cosmic passion alongside painful, even horrendous suffering, Flanagan's music still plays on and on in my head."

richard flanagan

Man Booker Prize

It is true, in fact, that it's always fun to work on the great historical, canonical literary classics because there's one less person who has to approve what I do — that is the author who doesn't get a say because they are dead. ... There's a certain kind of freedom that comes from that, that engenders designs that are unencumbered and fun and exciting in a way that working for a living author—those designs tend to be a little more complex.

I really feel the onus of that living author. They've worked possibly for years on this book, mostly in solitude. And then they come to me with this manuscript and it's a very tender moment. And writers are sensitive people in general, so I take that responsibility very seriously.

But that relationship between you and the author and the guilt that one feels if one possibly gets it wrong — you tense up sometimes with that responsibility.

On his cover-designing process

“ There's a lot of trial and error in it ... but while I'm designing, I'm then looking at the things that I've made to see if they feel consonant with the way that I felt when I was reading. That's really the moment that you know if you've made a book jacket that works.

I mark up the manuscript as I'm going — anytime there's something I think could be potentially that symbol, that thing that could represent the text as a whole — and then I look back over those notes and I start sketching from them. ...

When I have a sketch that seems like it could be compelling in some way, I render it more fully. I make a collage or I'll take a photo or I'll work on the computer or I'll set the typography. There's a lot of trial and error in it ... but while I'm designing, I'm then looking at the things that I've made to see if they feel consonant with the way that I felt when I was reading. That's really the moment that you know if you've made a book jacket that works. ...

I make the design. I print it out. I wrap it around a book. I leave it on my bookshelf face out and then I willfully try to forget about it. One of the things about making anything is in order to discern whether what you've made is working or not, you need some objectivity. You need some distance from it.

On "what we see when we read"

I'm not a neuroscientist; I'm not a professional philosopher; I'm not that qualified to talk about mental content and what it is and why it comes to be. How I am qualified is that I read books all the time and try to visualize their contents. I have this working knowledge of the imagination in that sense. ...

What We See When We Read

A Phenomenology

by Peter Mendelsund

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When I was thinking of Anna Karenina, I wasn't quite imagining a person. Or if I was, I was imagining a very specific person that I knew, say a relative. Often it would be a combination of two people that I knew. Sometimes I wouldn't be imagining anything for her — I would have a placeholder in my mind that said "Anna Karenina."

When we describe the reading experience, we describe this metaphor of watching a film — that we see the author's works projected in our minds and we watch that image passively. The more I thought about it, the more I thought that metaphor was misleading. Not only are we not picturing the author's world, the author gives us very few prompts when it comes to describing characters, ... we were making these [images] ourselves out of our memories. And the process was much more weird than I had previously thought.

On the rise of electronic books and the future of physical books and their jackets

I'm very heartened these days to find, in fact, people still really want physical books.

I spoke recently at Sarah Lawrence College, and after I was done with my talk, I canvassed the crowd of young people just to find out, "Hey, what formats are you guys reading on?"

The fascinating thing was that everybody was reading on multiple formats and the more fascinating thing was that all of these kids knew what the benefits and limitations of each of those formats were.

Someone would say, "When I want to travel, I take things on my Kindle." ...

"When I'm working on a complicated text that I need to cross-reference a lot, or that needs to be open to the Internet or Wikipedia in some way, I'll read electronically."

"If there's a book I want to keep around for any period of time, that I want to annotate, that I want to give as a gift, I'll read a physical book."

It seems like now we're really coming to a place where we're not expecting the digital medium to replace the physical medium — and that makes me incredibly happy.

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