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Why do some of us like to slather hot sauce or sprinkle chili powder into our food, while others can't stand burning sensations in our mouth?

It probably has to do with how much we've been socially pressured or taught to eat chili, according to Paul Rozin, a cultural psychologist at the University of Pennsylvania who has studied attitudes toward food for decades.

We first read about Rozin's research on spicy food in Tasty: The Art and Science of What We Eat. It's a new book by John McQuaid that's been excerpted in the Wall Street Journal and featured Sunday on Weekend Edition.

The Salt

'Tasty': How Flavor Helped Make Us Human

We asked Rozin to tell us more about his work on spice tolerance. Here's part of our conversation, editing for brevity and clarity.

How did you get interested in researching spicy foods?

The chili pepper is a subject of great interest to the public because so many can't stand [it].

My wife Elisabeth Rozin had written a book called Ethnic Cuisine, in which she proposed a theory of cuisine: that most cuisines in the world except in northern Europe have a characteristic flavor that they put on all their foods.

And that flavor in Mexico is chili and it is on virtually every savory food they eat. Chili pepper, when it came to Europe, tasted so bad. So this terrible tasting food comes over along with potatoes and tomatoes and all these other relatively good ones and it becomes a major flavoring in the cuisines of West Africa, of South Asia and a good part of Southeast Asia. And it makes their food taste better to them.

The Salt

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So I got curious about how the hell that happened.

You went to Mexico in the 1980s to study this, right?

I lived in a village [near Oaxaca, in southern Mexico] for a month and saw how they dealt with their chili peppers, how they served their meals. It was a traditional village that just had gotten electricity; nobody had a refrigerator. I discovered that at about four- or five-years-old, the kids started liking [chili].In the village of 1,500 people, everyone over the age of four or five loved hot chili.

Now, the animals in the village, the dogs and the pigs, eat the garbage. So they're eating hot chili every day because that's in the sauce on everything. And I couldn't find a single animal in the village — I tested a few (by giving the pigs and dogs a choice between a cheese cracker and a cracker with hot chili sauce) — that preferred the one with chili.

I thought that was a really interesting finding. And I think that this is a very special human characteristic — the ability to overcome an innate aversion and make it into a pleasure.

How do you think we overcome these aversions?

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Clearly you have to be exposed to it a lot of times. But normally you would never be exposed [to hot chilies] more than once. And the reason you're exposed to it a lot is because that's what the family's serving so you just eat it. The experience of eating it a lot somehow converts what was an aversion to a preference.

What's going to the brain is the same, there's no change in the tongue or the mouth, so it's what we call a "hedonic reversal."

It's not just in food, but coffee is bitter and there's a lot of foods that we eat that little kids don't like — beer, etc. But we also like amusement park rides, we like to be scared, we like to cry at movies. This is an example of a very common thing in humans.

I call it "benign masochism," which is to say that we learn to like things that our body rejects. And it's benign because it doesn't hurt us.

The Salt

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That's interesting that we grow to like these things we first hate.

It's like getting to like smoking — when you first smoke it's terrible. But you [may] keep going because there's social pressure. And that pressure gives you enough experience ... and somehow with that experience it usually inverts.

For some people it inverts pretty quickly. In my case, I like hot food now, but moderately hot. It took me many, many years of trying to like it, which just meant eating a lot of it. The same is true for me with beer — beer was too bitter for me. But I kept drinking it and now I like it. So I don't know what happened.

What's the most surprising thing about your findings to you?

The surprising thing was what got me to do it in the first place — that something that tastes so bad becomes [people's] favorite food. As I say, it's not just about chili pepper it's about black coffee and ginger root and horseradish. And hot temperature food and cold food — most people don't like really cool food like ice water, that's a Western thing to drink beverages that are cold. Little kids don't like them.

I'm less interested in chili now than in the whole phenomenon of across cultures about how people get to like these very unpromising things. But I don't know the answer. Some part of it is social. Social forces affect what we like and the advertising industry knows that — that's why they have endorsements by famous people.

It sounds like you're generally interested in disgust and turning disgust into acceptance?

I'm interested in that the Chinese and Southeast Asians think we're crazy for liking cheese but they eat rotted soy and fish in their sauces.

What's the hottest thing you've ever eaten?

I had an experience at a Korean restaurant in New York. I was there with my first wife and we were sitting in there and someone next to us, Korean people, ordered something that looked really good. We're food adventurers so we said to the waiter, "We want that." And he said, "You don't want that." And we said, "Yes, we do." And he said, "No, you don't." Well of course we won and it came out and it was so hot that we could barely eat it. And we forced it down because we had established our credentials so we had to eat it.

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chili peppers

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In Europe, the attacks in Paris have relaunched a debate about Islam and compatibility with the West and that's dangerous, says Abdullah Hamidaddin, an adviser at the center.

"These are French citizens, they committed a crime in France," he insists, and now, "French Muslims feel they are being put in a corner."

France's Muslim population, which doesn't identify with the attackers, now fears an anti-Muslim backlash, he says. The result could prompt more radicalization.

Recruiting Westerners

Some of these young radicals streaming into the Middle East aren't even religious, he says. "It's macho rather than Islam."

Hamidaddin has studied ISIS recruiting videos and he says the videos are a good indication of the ISIS strategy, enticing a generation of alienated youth.

"They are even using some of the famous (Sony) Play Station games," he says.

One recruitment tool is Grand Theft Auto, one of the most popular international video games. The video is familiar; the audio has been replaced by Koranic readings.

"They know what they are tapping into, not the religious part of the person, but a sense of adventure, the part that is looking for a thrill" he says.

Rasha al-Aqeedi is an Iraqi editor working at Mesbar. She is from Mosul in northern Iraq and keeps in close contact with Iraqis from her hometown, which has effectively become a capital city in the caliphate proclaimed by ISIS.

"It's horrible. Any form of modern life is gone in Mosul," she says.

She knows some young Iraqis who have joined the radical group.

"It's very appealing," she says, as those at the bottom of the social scale rise to the top. "They get money, they get power, they get to bully people, that's awesome for someone who was a nobody a few months ago."

ISIS used the familiar language of Islam to win over the population when they first arrived.

"In Muslim societies, we have been trained to embrace this for many years," says Aqeedi. But as the horrors of life under ISIS rule become clear, the brutal attacks on minorities, the destruction of the city's cultural history, Iraqis of Mosul are rethinking, she adds.

"People have seen where intolerance can go and they are not happy with it," she says. Many are now saying that this is not religion at all, she adds. "Once we get rid of the bad guys, it's the debate we can no longer escape."

At the core, ISIS is a political movement that has thrived in the chaos of Iraq and Syria, but is also the product of the region's ills; unemployment, under development, a lack of governance and absence of pluralism in religious discourse, says Abdullah Hamidaddin.

"We can't avoid this fight any longer", he says, "We are on a train heading for a cliff."

Actor Ethan Hawke calls Boyhood, which won best motion picture on Sunday at the Golden Globes, an "experiment."

The fictional story takes place over the course of 12 years — and was shot over the course of 12 years. So without special makeup or prosthetics, audiences watch two children grow up and two adults age. Hawke plays Mason Sr., the children's father, and Patricia Arquette plays Olivia, the children's mother. They are divorced.

The cast and director Richard Linklater, who also won the Golden Globe for best director, invested many years trying depict how coming of age happens in a series of little moments. It was something that had never been captured on film before.

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The cast of Boyhood — (left to right) Patricia Arquette, Lorelei Linklater, Ellar Coltrane and Ethan Hawke — won the Golden Globe Sunday for best motion picture. Kevin Winter/Getty Images hide caption

itoggle caption Kevin Winter/Getty Images

The cast of Boyhood — (left to right) Patricia Arquette, Lorelei Linklater, Ellar Coltrane and Ethan Hawke — won the Golden Globe Sunday for best motion picture.

Kevin Winter/Getty Images

"I was amazed that they could get financing for something that wouldn't see any return for 13 years," Arquette tells Fresh Air's Terry Gross. Arquette won the Golden Globe for best supporting actress. "There [were] points in time along the way where I thought, 'OK, we're seven years in. If this falls apart right now, this will be a real drag.'"

"A colossal waste of time," Hawke chimes in.

But lucky for the actors, it wasn't.

"For me, the biggest question ... was, 'Could Rick [Linklater] end it? When it came to be over, would you feel you were told a story?'" Hawke says. " ... I remember when he showed me the first cut, it was just — it was like if getting punched in the gut could feel good, that's what it was like. I couldn't believe he'd finished it and he had sailed it into port."

Arquette and Hawke talk about the emotions involved in acting, how casting is an "act of faith" and seeing the full movie for the first time.

Interview Highlights

On aging in the film and as an actress in Hollywood

Arquette: As an actress, for me, I think there's such a pressure in the world for women to look a certain way, especially if you have success at a certain moment in your life in the ingnue age group — that you're supposed to hold onto that. And I really wanted to move away from that status as quickly as possible.

“ If you look at paintings throughout history of female beauty, the one that we're creating right now is a really weird one.

- Patricia Arquette, who plays Olivia in 'Boyhood'

It's true for human beings that a lot of the story of life is the mating story, is the falling in love story, is the having children story; so it does make sense that a large percentage of the stories are told in that age group, I think. But Hollywood tells the actresses what they need to look like to continue working and I don't believe that of human beings. I don't believe that's true of many stories and I do think as an actress it gives you a very short shelf life if you buy into that. ...

If you look at paintings throughout history of female beauty, the one that we're creating right now is a really weird one.

On Arquette's real life as a mother and how she walked away from a role while pregnant

Arquette: Right before [my son was born] I had gotten my first big movie and it was really a great art movie — it was Last Exit to Brooklyn. It was a star-making part, a great part, and between the time that they offered it to me and they started shooting, I discovered I was pregnant. And that character really goes through a lot of difficult things in that movie and it was my first time having a baby and I thought, "I don't want to be pregnant and emotionally go through this woman's journey, which is very violent at certain points, with a baby inside me."

It was a very difficult moment where I sat down with the producers and they said, "Well, we think you could still shoot this while you're pregnant."

I said, "Well, let me just walk around the block."

I came back and I said, "I can't do this movie because I don't know how that will be for my baby."

I didn't know if I would ever get another movie. Right after I had him, I auditioned and I wasn't getting movies and I remember walking into this restaurant on Sunset Boulevard applying for a job as a waitress. I said, "I'm smart. I don't have a lot of experience; I like people; I'm nice to people; I learn fast; and I have a baby to feed." They gave me the job and I was going to start on Wednesday and that Monday I got a call that I got my first movie after my son. ...

“ I remember when he showed me the first cut, it was just — it was like if getting punched in the gut could feel good, that's what it was like.

- Ethan Hawke, who plays Mason Sr. in 'Boyhood'

Hawke: When you're acting, your body often doesn't know you're acting. Our emotional life is our currency as an artist, the same way that a painter has paint. It's very strange to explain to people, but sometimes when I'm doing a play with a very emotionally violent character, my body doesn't know I'm acting. You know that weird feeling after you have a horrible fight with somebody you love — that's kind of the way I'd feel taking the subway home after the theater. It beats up your body.

A lot of people wouldn't have done that, Patricia. I had never heard that story about Last Exit to Brooklyn before. ... You're very wise to do that because you don't really know what a baby is going to feel and what it doesn't, but the little bit of experience I have acting and knowing how my body responds — Last Exit to Brooklyn is a not a part any child wants to play.

On the casting of a young actor at age 6 and not knowing who he would grow up to be

Hawke: It's an act of faith. ... I knew that if Ellar [Coltrane] wasn't an artist, if that didn't come to be, that the movie wouldn't work. But there are a lot of gambles in trying to do anything unique. I have great faith in Rick — it's a chicken-and-egg situation too. I mean, it's like Ellar went to a theater camp with Richard Linklater for 12 years. Rick's a great coach and Ellar is a special kid. ... A lot of effort and love went into creating a space that was available for them to use their creativity to a positive end. The greatest blessing in the movie is the fact that Ellar turned out to be James Dean.

More On 'Boyhood'

Movie Interviews

Filmed Over 12 Years, 'Boyhood' Follows A Kid's Coming Of Age

Ask Me Another

'Act Of Faith': Ethan Hawke Talks 'Boyhood' And Its 12-Year Shoot

Monkey See

'Boyhood,' Time And Tree Rings

Arquette: Rick jokes about the casting process like it was trying to find the Dalai Lama.

On seeing the movie in sequence for the first time

Arquette: It was different with each person. Ethan saw it almost every year, or pieces of it every other year or something; I saw a rough cut at five years. Rick didn't really want the kids to see it. He would've shown it to them had they asked, but they never asked. He didn't want them to become self-conscious. ... I wanted to wait to see it with an audience, so I actually saw it for the first time at Sundance.

Hawke: While we were making Boyhood, during that time period, I co-wrote two movies with Rick. I acted in, I think, four others, so this movie is an extension of a kind of ethos that we've been working on since we met on Before Sunrise. So I got to kind of ride shotgun on the whole deal. It's just the nature of our relationship, I think.

On letting go of his character after 12 years

Hawke: There's something so beautiful about the final moments of the movie and it was clear to me that it's about an adult being born. Yeah, would I love to see Mason Sr. get older. I'd like to see where he goes and what the evolution of his thought might be. But, that said, the magic of the movie is that it is over.

понедельник

The brewer of a batch of traditional homemade beer is listed among nearly 70 people who died after drinking it following a funeral in Mozambique, leaving authorities with many questions.

Mozambique has declared three days of mourning over the deaths that occurred this past weekend. More than 100 people were hospitalized; dozens of them remain in the hospital.

The deaths have been traced to a batch of pombe, a beer often made from millet, corn and sorghum that a crowd of people drank after a funeral in Chitima in the province of Tete Friday afternoon. The first deaths occurred early Saturday.

Many of the victims are related to one another. The woman who made the beer died along with several members of her family.

Investigators are working to determine whether the poisoning was intentional or accidental, Attorney General Beatriz Buchili tells Radio Mozambique. The news agency adds that there are reports that a large container that held the pombe has gone missing.

Samples from the victims and from some of the beer have been sent for testing in both Mozambique and South Africa.

In the small village of Chitima, the scope of the poisoning is straining resources. Many of the dead had to be buried Sunday, Radio Mozambique says, because the local morgue couldn't accommodate all the bodies.

"It's the first time we've faced such a tragedy," regional health director Carla Mosse tells the news agency.

Pombe is a drink that's long been common in East Africa. Historical accounts from the 1800s describe how it has traditionally been brewed by women.

Some health officials in Mozambique reportedly believe the beer may have been poisoned with crocodile bile, a "deadly greenish-brown liquid, produced in the liver and stored in the gallbladder," the AP says.

The agency adds: "When a crocodile is killed, the bile of the animal must be immediately removed and buried in front of witnesses to prove that it has not fallen into the wrong hands, to be used as poison, according to some African traditions."

But Forbes writer David Kroll notes that there has been some doubt over the toxicity of crocodile bile, citing a researcher's theory that the bile might have been only one ingredient in a poison mixture that also includes lethal plants.

Mozambique

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