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Seventy-five years ago, J.R.R Tolkien wrote a book for his children called The Hobbit. It isn't just a landmark piece of fantasy literature; it's a movement — a work that's inspired everyone from director Peter Jackson to the band Led Zeppelin to Leonard Nimoy (who recorded his own homage to the book in the late 1960s — "The Ballad of Bilbo Baggins").

Yet though it's widely celebrated, The Hobbit's always kind of existed in the shadow of Tolkien's other great work, The Lord of the Rings. Corey Olsen, self-described "Tolkien professor," tells Guy Raz, host of weekends on All Things Considered, that Tolkien fans tend to fall in love with The Hobbit as children, then move on to The Lord of the Rings and never come back.

That's a great shame, Olsen says, so he's written his own book, Exploring J.R.R. Tolkien's The Hobbit.

Interview Highlights

The Hobbit as a child's, not childish, book

"[Tolkien] was born in 1892, so he grew up with a steady diet of Victorian fairy tales ... and there was a trend, of course, in the 19th century to kind of gloss over [dark themes]. Andrew Lang's collections of fairy tales takes out the more gruesome elements from the Brothers Grimm, for instance. Tolkien was strongly opposed to this, you know, he said, children aren't meant to be Peter Pans. They aren't meant to be just sheltered and protected from anything gruesome. They are meant to grow up. That happens, they can gain wisdom and strength from being exposed to these things and knowing that these things are out there."

Enlarge Andrew Olsen/Houghton Mifflin Harcourt

Corey Olsen is an English professor at Washington College in Maryland. He is also the president and founder of the Mythgard Institute, an online teaching center for the study of Tolkien and other works.

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