The Testament of Mary by Colm Toibin is a book read in an afternoon, and remembered long after. Mary, mother of a murdered son, struggles to mourn in the presence of a menacing character recognizable as the writer of the Gospel of John. As her watcher questions and cajoles, demanding a version of events that Mary cannot endorse, Toibin shows us how history is made, in the determined shaping and reshaping of stories. Bold, intense and exquisitely crafted, this iconoclastic imagining is a power pack of a book that, at only 81 pages, presents a daring interpretation of what a novel can be.
Ruth Ozeki's A Tale for the Time Being plays with ideas of perception and interconnectedness from the title page onward. Her eponymous narrator, who lives on a remote Canadian island, finds a plastic bag washed up on the beach. In it is a Hello Kitty box containing the diary of Nao, a girl struggling toward womanhood in modern-day Japan. Ruth's own writing has stalled, and as she immerses herself in Nao's story, and that of the girl's 104-year-old Zen Buddhist grandmother, Ozeki braids together the lives of the three women. It's an intricate pattern of cause and effect, skillfully batting the stories of Ruth and Nao back and forth until the reader feels she has entered a conversation across space and time, unraveling some of the mysteries of existence along the way.
Cause and effect are also at the core of Jhumpa Lahiri's The Lowland, a tale of two brothers set in Kolkata and Rhode Island. One, Subhash, leaves home for a new life in America; the other, Udayan, stays behind, deeply involved in the politics of his country. Udayan's radical affiliations lead to his brutal execution by security forces. While perhaps the most conventional title on the shortlist in terms of form, Lahiri's work is a measured and thoughtful meditation on home, family and the enduring effects of personal choice.
In a shortlist of memorable titles, this year's winner, The Luminaries, by Canadian-born New Zealander Eleanor Catton, is a masterwork of structural brilliance. Set in the gold fields of New Zealand in 1866, the book tells the stories of 20 characters, all of whom are implicated in an untimely death, a suspected suicide, a disappearance and a stolen fortune. While there is a compelling narrative — a mystery to be solved — there are also archetypal characters rendered alive with dialogue, and a plot that seduces the reader with revelations and reversals at every turn.
If the shortlist this year has offered up new ways to appreciate how a story may be told, Catton's win celebrates a writer whose powers of innovation are deeply rooted in an understanding of what it takes to hold a reader in her grip for 800-plus pages, never losing their attention.
Ellah Allfrey is an editor and critic. She lives in London.