Ïîïóëÿðíûå ñîîáùåíèÿ

суббота

In the raging 1970s, New York City was dangerous, broke and at times on fire.

Latinos in the city were taking to the streets, running for office and carving out artistic spaces. "Latino" at the time in New York meant "Puerto Rican."

Photojournalist Bolivar Arellano immigrated to the city in '71, and remembers a vivid introduction to the Young Lords, a militant organization that advocated for Puerto Rican independence.

"Viva Puerto Rico libre!" Arellano heard a man shout next to a police officer. "Long live free Puerto Rico," was not a sentiment the officer shared. The man was hit with a baton after each declaration — six times, Arellano says.

"Blood was coming to his face, and that's when I said, Puerto Rico has to be beautiful for this guy to resist that beating," Arellano says. "So that was my encounter with the Puerto Rican community. Since then, I'm still with them."

This self-described activist-photojournalist chronicled the Latino community for El Diario-La Prensa, which also aimed to tell the stories the English-language press wasn't covering.

The Spanish-language daily is marking its centennial this year and is placing 5,000 archival images in Columbia University's care for preservation. Twenty of Arellano's black-and-white photos from the 1970s are now on display at the university.

"The Raging '70s" exhibit, which opened this month, positions vibrant musicians against militant activists – applause alongside protest chants. Celia Cruz on stage at Madison Square Garden. Alleged robbers in police cars after a blackout. Drug-dealing in public space. A re-creation of daily life on the Lower East Side for a film, a pig roasting in the foreground.

Blog Archive