The editors offer endless avenues of interpretation; the typed transcriptions of Dickinson's handwriting are superimposed atop the outlines of their corresponding envelopes, so the multidirectional layout of the text isn't lost. A series of esoteric indexes — by shape of the envelopes, by what direction they are turned, by whether or not they have "penciled divisions," for example — encourage the reader to speculate about the various relationships Dickinson may have conceived between paper and words.
It's a good season to chase after the ever-elusive Emily Dickinson. In addition to this book, there's a corresponding exhibit in Chicago, and all of the poet's online archives were recently organized into one accessible hub. This book is a rare gift for all poetry lovers. We are lucky to have more of Dickinson's ongoing "letter to the World / That never wrote to Me," an endlessly fascinating correspondence, addressed to any of us who find it — so long as we're willing to answer it with concentration and curiosity.