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Interview Highlights

On showing experiences both in the military and at home

One of the things I'm most interested in, not only is that specificity of a singular life and following that with the long view — I'm [also] really interested in the proximity of violence as much in the side streets and living rooms of America as in the war zone.

On what Rath calls 'the way we fetishize war suffering'

It's the 30-second clip that you're going to get that's going to get your heart rate rising. And you won't change the channel. And so what I hope what the novel does a little bit here is hold the mirror up not only in the conflict sphere but in that domestic sphere.

On choosing to write about sexual assault

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I think as a writer approaching material I want to do justice to the characters. But at the same time, there's no doubt that there were certain topics that were really important to me, and in the writing of this book, tackling the issue of sexual assault in general, and specifically in the military, was absolutely important to me. We know sexual assault is an issue in our society at large and in the military specifically.

On the civilian/military divide

There's a lot of talk about the civilian/military divide. I think veterans and active-duty service members, we want to feel connection. We want to feel like our sacrifices and our service to the country, you know, is appreciated, and I think to a large extent it is.

The problem becomes, and it's a very complex problem, but one angle of it is from the military side those who have seen combat — it's such a difficult thing ... to work through and process.

But I think at the core of it, we just want a conversation about what our country asks of us. And not just what our country asks of our service members, but what it asks of their families, of their friends and of their communities.

Read an excerpt of I'd Walk With My Friends If I Could Find Them

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