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All this week, NPR is taking a look at the demographic changes that could reshape the political landscape in Texas over the next decade — and what that could mean for the rest of the country.

For most of the 20th century, Texas was a stronghold for Democrats. But Republicans have dominated the state for decades now.

An organization created by veterans of President Obama's presidential campaigns wants to change that. The group says the state's shifting demographics — including a fast-growing Hispanic population — combined with an intense grass-roots effort can create an opportunity for Democrats.

A New Campaign

It's 4 p.m. on a weekday afternoon in downtown Houston, where about 200 volunteers have gathered in a union hall to hear from a 34-year-old political whiz and data cruncher.

Jeremy Bird's skill at identifying potential voters, getting them registered and turning them out was a key part of Obama's election — and re-election.

Bird asks the group, "Are you fired up?" and they respond: "Ready to go!"

Clearly old habits die hard for the 2012 Obama campaign's national field director.

But Bird is in Houston to talk about his new mission: Battleground Texas. He tells his audience it will be very hard work, but that it's OK to believe that Texas is a place where Democrats can win.

More 'Texas 2020'

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How To Turn A Red State Blue: California Edition

Here's how Big Brother works.

Producers throw a bunch of people into a house, where they're stuck for about three months. All day and all night, they're watched by cameras, and they can be watched online — these are the so-called "live feeds," which are sort of like watching the security cameras in the most boring juice bar in Los Angeles. (I wrote about touring the house in 2010; it's very creepy.)

Three nights a week, CBS edits together some of the footage and creates the prime-time television show Big Brother, which obviously includes only a tiny percentage of what they've collected. Of course, the difference between this show and other reality shows is the measure of transparency: people who watch the live feeds (and yes, a significant number of people watch them, meticulously log them, and discuss them all summer) know a lot more about what happened than what's put on the broadcast, and they can get very angry when they feel like the editing has hidden the truth.

But this isn't the only thing that distinguishes this particular show. More and more, Big Brother has set itself apart by the sheer average hatefulness levels among its casts. Shows like Survivor always combine a few jerks with a good number of normals, because those are the people you're supposed to root for, and they're the ones who often win. Big Brother doesn't really bother with the normals anymore, nor does it bother with many people who don't look good in bikinis.

If you think about it, most reality shows require a commitment of maybe a month; Big Brother requires that you be able to be locked up all summer. That, too, encourages it to be full of idle people who don't really do anything with their lives to begin with. There are exceptions, but the rule is that people are on Big Brother specifically because nobody and nothing will miss them. They don't have the desire of Amazing Race contestants to see the world, or of Survivor contestants to compete physically and try life out in the elements. They just want to sit here, on television, on a big set, doing nothing.

But in the last few seasons especially, it's become a regular ritual that every summer, people watching the live feeds report on breathtaking examples of racist, sexist, homophobic, and other outbursts that you can clearly watch if you're a feed viewer but that you will never see if you're tuning in on television.

Reality television blogger Andy Dehnart is among those who have followed this issue over the last few years, and he's actually asked executive producer Alison Grodner why racist rants are cut from the show in ways that sanitize players' behavior for broadcast watchers. Her argument was that when people say things that the producers "don't necessarily agree with and condone and want to put out there further," they don't show them. "And so for the most part, when this goes down," she said, "we keep that out of the show."

Whether or not you want to swallow that explanation of the motive for excising bigotry from the broadcast version of the show, the effect is to perpetuate a pernicious untruth: that the producers throw a variety of largely shallow, thoughtless people from different ethnic backgrounds and sexual orientations into a house, lock them up for three months, and ask them to play a social game with a huge amount of real money at stake, and those differences never come up, and even behind closed doors, in secret, when they're whispering at night, that kind of ugliness doesn't come out.

If you've been following this issue this season — which is only a couple of weeks old! — you know that there have already been reports of what Dehnart deemed "a torrent of racist, sexist and homophobic comments" from "almost half the cast." They include racial slurs (including, yes, some n-words), a couple of angry references to an Asian cast member suggesting she should go cook some rice, gay slurs, comments about a black woman making a bed smell bad (in which she was referred to as "black Candice" in case anyone missed it), references to not being able to see a black woman in the dark, and comments that black players were "tokens" who would always stick together. That's not all of it, but it's some of it.

It's not just that it sanitizes people who deserve scorn when this stuff doesn't make the show, though it does that. It's that it creates an actively dishonest narrative about the roles of race, class, gender and sexuality in the ways that people act in frivolous but also dead-serious situations in which they are frivolously grabbing for attention but dead-seriously trying to win a lot of money. What makes a show like Survivor, for instance, fun is figuring out the personal dynamics that cause rifts between people or bonds between them. And when race comes up on Survivor, they're not afraid to show it — they've done it. They've talked about how it affects relationships. They have people talk about tensions that come up over sexuality and gender and religion as well.

It's completely dishonest, even by the standards set by other similar competition shows, if they're removing the fact that people are making all kinds of racist comments about Candice, for instance, when they present the story of how she gets along with the group. Nobody who thinks black women smell bad can turn around and interact with them as if he doesn't. Nobody who calls you "Kermit the F-g" is otherwise treating you the same way they'd treat anybody else.

Removing this stuff leaves a giant sucking void where the prejudices in play here should rightfully be, and makes it appear that personalities are simply clashing, or that strategies are in conflict, when in fact, part of the reason some of these people don't get along with or don't trust the cast members of color may be that some of them are racists. The same goes for some of the men in their dealings with women and some of the straight people in their dealings with some of the gay people. Where that's the case, it's wrong to hide that; it's wrong to lie about it; it's important not to. It's incredibly unfair, for instance, to put a black woman in the house and make it look like she's not fighting people's preexisting prejudices when you know she is, or to put a gay man in the house and make it look like everybody's cool with him when you know they're not. It's bad enough to pack your cast with jerks; it's quite another to conceal the burdens you've put on the people those jerks treat poorly.

Bizarrely enough, this currently hideous exercise has the capacity to be interesting, because the cameras are on these people so much, so relentlessly, for so long, that they really do have no choice but to give in and act in ways they would really act. People might be able to hold back for as long as they're on TV for Top Chef or even The Amazing Race, but when you're in a human terrarium for 24 hours a day for months, people eventually see who you really are. And if a part of a person's pedestrian foolishness and superficiality regularly includes bigotry, it's a lie to say it doesn't; it's a lie to protect those comments from being revealed as a part of what drives the personal dynamics on the show.

It's seeing the way these underlying assumptions are woven into day-to-day interactions of respect, trust, social bonds, and other matters that ultimately casts some light on how they work in the real world. Live feed viewers pick up on really interesting things sometimes — they've been talking about the fact that a white woman who's been making nasty, racially insensitive remarks about a black woman behind her back stopped in the middle of an argument between them to correct her that it's "ask," not "ax", for instance. That — the analysis, not the comment — is kind of great stuff, sociologically speaking, if you're looking at the ways that prejudices creep into conversations that seem not to be about race. This is how it really works in a lot of situations; people know what they're supposed to say, and then there are the things they say to their friends when they're mad. There's the overt and the covert, and if you watch people for hours and hours — silly as it sounds — you'll ultimately see both.

It's a really dumb show, but it doesn't have to be evil. Nobody assumes the show is endorsing the rest of these dopey people's comments and behaviors and approaches to being a human being. It's not necessary to snip out this stuff. And, in fact, it's better not to.

Andrea Brearley's kids really want to see Pixar while on vacation. The problem is that the family is staying in San Francisco and with rail workers on strike, they're having a hard time figuring out how to get to the cartoon-maker's headquarters across the bay in Emeryville, Calif.

Brearley, who lives in Windsor, Ontario, says it's been "scary" trying to figure out an alternative route. "Three different people told me three different buses," she says.

In fact, many of the natives are confused. The area has multiple transit agencies, but the Bay Area Rapid Transit system links a number of them, serving an average of 400,000 riders on weekdays.

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All this week, NPR is taking a look at the demographic changes that could reshape the political landscape in Texas over the next decade — and what that could mean for the rest of the country.

Texas is a large, diverse state with broad regional differences in population and demography. Its politics is subject to wild swings, too, depending on location. Take the 2012 presidential election, for example.

President Obama, who didn't campaign in the Lone Star State, got only 41 percent of the statewide vote last year. Compare that with the 57 percent of the vote received by former Massachusetts Gov. Mitt Romney, who also didn't devote any energy to Texas.

The map is staggeringly red, with Obama winning just 26 of the state's 254 counties, whose populations range from 4 million residents (Houston's Harris County) to 82 residents (rural Loving County):

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